Saturday, February 1, 2020

Farewell to Neil Peart



The spontaneous genius and ripe glory of the late Neil Peart spawned a unique generation of hard rock ‘n’ roll music players and listeners.

Peart’s youthful obsession with books and music enabled him to become the percussionist, drummer and lyric writer for the Canadian rock trio Rush.

From 1968-1974, Rush singer and bassist Geddy Lee along with his best friend, Alex Lifeson, the guitarist were a stereotypical hard rock band. In 1974, when Rush first toured the U.S., the band acquired Neil Peart.

With the acquisition of Peart in 1974, Lee and Lifeson had found a drummer that was able to keep time with their intricate musical notes and changes. By the time Rush released their third album, “Caress of Steel” in 1975, Peart was their full-time lyric writer. Egos immediately took a sidestep in the odyssey of Rush; music by Lee and Lifeson, words by Peart.   

   

Beyond the idea, presentation is everything and must take on the spark of possibility from an inner ear potential to a realized work, Peart said in the 1989 “Presto” tour program book. Rush reflects and responds to life and filters it through their own lenses, Peart said.

When 67-year-old Peart died on January 7 of glioblastoma, an incurable and aggressive brain tumor, https://ultimateclassicrock.com/rush-thank-fans/ the musical gods shed tears on Earth while possibly rejoicing  in the heavens far beyond the Milky Way.

At the beginning of making a new album, we have no idea what well come up with, only the desire to do it, and the confidence we can. In that sense we don’t know what we’re doing, but it seems right, Peart said upon the release of the bands 13th studio album “Presto.”

“Roll the Bones,” Rush’s first album of the 1990s, yet again show cased Rush’s musical prowess, and Peart’s wisdom and straight forward philosophy. We continue to learn, grow and change. Keep moving, roll the bones, gather no rust. A dream is over only until you give up or it comes true, that’s irony, Peart wrote in the Rush “Roll the Bones” tour book.

As someone who has an infinite passion for words on the printed pages of time, and the tragic passing of rock ‘n’ roll icon Neil Peart, I decided it was time to re-enter into the blogosphere.  

The book, “Rush 1977-2004” made this blog possible. When the album “Permanent Waves” found its way to the masses in 1980, “Personal Waves,” by Neil Peart pointed out an interesting fact about the albums cover. The album cover features a young woman walking nonchalantly amidst a hurricane destroying everything in its path. The newspaper on the bottom left blowing away has unreadable words on it. Peart and his two counterparts in Rush wanted the front page of 1948s The Chicago Daily Tribune that read; “Dewey Defeats Truman.” 

Several decades later, the heads of the Chicago Daily Tribune newspaper were still embarrassed by their Major Factual Error in 1948, and would not allow Rush to show that on the cover of “Permanent Waves.”  



The percussion domain and words of Neil Peart have forever fueled my restless soul.

You might have lived your live as an exemplary Christian only to be met at the gates of heaven by Mohammed. Anything can happen, we're only immortal for a limited time, Peart said.

Mark Izzy Schurr





Monday, December 16, 2019

Lady Night



Upon emerging from the outdoor lap waters of sanity, lady night caressed my saturated soul with her cool black embrace. At long last the atmospheric gods, the patrons of learning, wisdom and imagination have embedded their thoughts upon mine.  
Izzy Schurr

Wednesday, November 6, 2019

Stupid Or Stupendous? Foolishly Or Fabulously Flatlined?

 Nina Dobrev as Marlo

Morbid or marvelous? Moronic or magnificent? Regardless of fact or fantasy, the craters of creation, chaos, and curiosity run rampant in the minds of misfits, maniacs and those who seek ultimate knowledge.

Ellen Page and James Norton (Courtney & Jamie)

Foolishly flatlined and brought back to life, only to live in eternal confusion. Intentionally killed to wonder aimlessly in the void silence of the liquid black afterlife, or to see and experience the ravenous regions of eternity?  

Ellen Page as Courtney 
The 2017 movie "Flatliners" inspired this blog. All photos are from "Flatliners" 

Mark Izzy Schurr   

Thursday, October 31, 2019

Dark Mark XVIII



In the beginning the infinite darkness caged the creatures of chaos. When blistered by the light, these monsters of mayhem were released into the universe to ignite unwarranted judgement, fear and hatred into human hearts.

Mark Izzy Schurr   

Wednesday, October 23, 2019

"Annabelle Comes Home," Another Modern Moron Movie Review



June’s “Annabelle Comes Home” is an intriguing fest of fascination, futility and a journey into the regions of sheer evil.   

Locked in the house of demonologists Ed and Lorraine Warren, Annabelle, the possessed doll can no longer terrorize and destroy those around her, right? According to Ed Warren, destroying the doll Annabelle would make it impossible to contain all the evil that dwells in the den of the doll itself.

Judy Warren portrayed by Mckenna Grace is an only child of Ed and Lorraine. Annabelle, the doll is caged upon a sacred glassed cage, and locked away in another room a teenager who’s curious about the occult and the afterlife would never be able to get into.

Annabelle is never released from beyond the sacred glass, and Judy and her two teen-aged babysitters bore us movie-goers playing 1970s board games. Of course, I’m being facetious, the curious teenager trying to contact her dead father releases Annabelle’s soul in a foolish attempt to reconnect with her deceased father.



Annabelle, the doll is both graphic and phycological in the ways she torments and tortures her victims. The baleful soul dwelling in Annabelle awakes many other evil entities amidst the Warren household, conjuring up infinite fears for the girls.



The fate of humanity resides upon an elementary school aged girl, and two teenage ones, now how is this not Halloween movie magic?

Rated R because of graphic images of death and deceit, “Annabelle Comes Home” is a fantastic Halloween movie for the masses. Three and a half stars for the lasted installment of the Annabelle films.      

Mark Izzy Schurr

Sunday, October 20, 2019


Summoned from the tombs of turmoil, a demon of deceit and destruction, now roams amidst the chaotic confines of society, eager to prey in the night.                                         Mark Izzy Schurr 

Saturday, October 19, 2019

Lucious Lunacy, A Modern Moron Movie Review



Upon death, there is absolute nothingness, or perhaps indeed, a tangible experience in the realms beyond death.

The 2017 “Flatliners” movie is about five medical students who journey to the other side of life by stopping their hearts for several minutes at a time while the others resuscitate the one person who has been intentionally flatlined.  



Courtney, portrayed by Ellen Page is the first person to embark upon this dangerous experiment, and at first, it’s wonderful. After being clinically dead for well over a minute, Courtney’s brain has been rewired, and her musical skills on the piano are returned to her, and medical school has become a lot easier for her. When some of her counterparts follow suit, their experiences are a tad different, yet still positive life changes.

Diego Luna who portrays Ray, the smartest of the five medical students says the others are stupid for intentionally having their hearts stopped, but he’s always there to bring them back to life!

Exploring the afterlife becomes a nightmarish debacle for the four students who have ventured to the 
regions of death and beyond. Their ability to recognize what is real or imagined becomes increasingly difficult for them to determine. Intense nightmares become a harsh awakening to what lies in the uncharted depths of death and despair.



A four star must see for fans of sci-fi horror.

Mark Izzy Schurr